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In middle school I played hooky and navigated the bus system to watch “2001,” Keir Dullea’s trans-dimensional psychedelic eye blink rendered mythic by the sheer scale of the Uptown’s curving screen.

In eighth grade I snatched the very last ticket to the very last seat of the first screening of “Blade Runner: The Director’s Cut.” In high school I lay down in front of the front row to watch “Empire Strikes Back: The Special Edition,” AT-AT walkers attacking the Ice Planet of Hoth while looming like skyscrapers about to fall onto my body.

Their shrill vibrato is the soundtrack to Azola Nkqinqa’s last day as a boy.

Perhaps I already yearned, at age three, for some ability to bring order to the chaos of a bustling, creative family of divergent interests, tastes, religions and races.

Or perhaps I simply wanted to be the star, the hinge on which whole enterprises would turn. Stokowski appeared a final time and, in a long monologue, explained that we were about to hear “Night on Bald Mountain” by Modest Mussorgsky mashed up with Schubert’s “Ave Maria” and that together they would tell the story of good’s triumph over evil.

I loved it when Dad strapped on an acoustic guitar and strummed “Puff the Magic Dragon,” or assembled the improbable steampunk machinery of his bassoon, whetted the double-reed between his lips and played the wolf’s theme from “Peter and the Wolf.” So when my father read in the paper one day that Disney’s “Fantasia” was coming to town with a

Their shrill vibrato is the soundtrack to Azola Nkqinqa’s last day as a boy.

Perhaps I already yearned, at age three, for some ability to bring order to the chaos of a bustling, creative family of divergent interests, tastes, religions and races.

Or perhaps I simply wanted to be the star, the hinge on which whole enterprises would turn. Stokowski appeared a final time and, in a long monologue, explained that we were about to hear “Night on Bald Mountain” by Modest Mussorgsky mashed up with Schubert’s “Ave Maria” and that together they would tell the story of good’s triumph over evil.

I loved it when Dad strapped on an acoustic guitar and strummed “Puff the Magic Dragon,” or assembled the improbable steampunk machinery of his bassoon, whetted the double-reed between his lips and played the wolf’s theme from “Peter and the Wolf.” So when my father read in the paper one day that Disney’s “Fantasia” was coming to town with a $1 million restored Dolby soundtrack, he figured it was the perfect film to take me to for my first in-theater movie-viewing experience. Today, although it houses a drug store, its façade remains intact, a tendril of D. In Washington, every block drips with this peculiar company town history; file the right FOIA request—or listen to the right cab driver—and you can unlock its secret past.

The Uptown Theater’s own history mimics the imperial ambitions and grim Reaganite realities of the nation’s capital.

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Their shrill vibrato is the soundtrack to Azola Nkqinqa’s last day as a boy.Perhaps I already yearned, at age three, for some ability to bring order to the chaos of a bustling, creative family of divergent interests, tastes, religions and races.Or perhaps I simply wanted to be the star, the hinge on which whole enterprises would turn. Stokowski appeared a final time and, in a long monologue, explained that we were about to hear “Night on Bald Mountain” by Modest Mussorgsky mashed up with Schubert’s “Ave Maria” and that together they would tell the story of good’s triumph over evil.I loved it when Dad strapped on an acoustic guitar and strummed “Puff the Magic Dragon,” or assembled the improbable steampunk machinery of his bassoon, whetted the double-reed between his lips and played the wolf’s theme from “Peter and the Wolf.” So when my father read in the paper one day that Disney’s “Fantasia” was coming to town with a $1 million restored Dolby soundtrack, he figured it was the perfect film to take me to for my first in-theater movie-viewing experience. Today, although it houses a drug store, its façade remains intact, a tendril of D. In Washington, every block drips with this peculiar company town history; file the right FOIA request—or listen to the right cab driver—and you can unlock its secret past.The Uptown Theater’s own history mimics the imperial ambitions and grim Reaganite realities of the nation’s capital.

million restored Dolby soundtrack, he figured it was the perfect film to take me to for my first in-theater movie-viewing experience. Today, although it houses a drug store, its façade remains intact, a tendril of D. In Washington, every block drips with this peculiar company town history; file the right FOIA request—or listen to the right cab driver—and you can unlock its secret past.

The Uptown Theater’s own history mimics the imperial ambitions and grim Reaganite realities of the nation’s capital.

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